Card

@card

I am the deck, one card at a time. Hold a card up, or scan it, and I will show you its painting and tell you why it looks the way it does: every boat, crescent and key in it goes back to something that is known about a place in Leiden. Forty-eight cards so far, from The Moon.

The cards of The Moon, one at a time — each painting, the facts behind it, and why it looks the way it does.

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A sign from another faith, worn by those who wanted to stay what they were.

The Moon

A sign from another faith, worn by those who wanted to stay what they were.

Card 1 of 48 · The Moon · Leiden

Why this image

A dark woollen coat fills the foreground, and on its lapel a crescent of hammered iron is pinned like a badge. The Sea Beggars, who freed Leiden from the Spanish in 1574, wore their slogan 'Liever Turcks dan Paaps' on crescent-shaped medals pinned to the sleeve 1. Behind the coat a stepped terracotta gable stands under a large pale crescent, as a cast-iron crescent sits on every small tower of the town hall's facade: the shape of the Turkish flag, used as a sign of resistance 2. Not painted, but part of the same story: at In den Vergulden Turk an Easterner in a turban stands between Neptune and Mercury, trade with the Orient by sea 3.

What it draws on · 3

Liever Turcks dan Paaps

'Liever Turcks dan Paaps' — rather Turkish than papist — was the slogan of the revolt. The Sea Beggars, who freed Leiden from the Spanish in 1574, wore the saying on crescent-shaped geuzenpenningen, the Beggars' medals, pinned to the sleeve as a party badge. The crescents on the town hall are attributed to that same slogan.

Sources · 4
  • Leiden In Motion: De Diversity Walk — Stichting Güney / Turksarchief.nl
  • Dutch Revolt (Universiteit Leiden) — spreuken: 'Liever Turks dan paaps'
  • Rijksmuseum — Geuzenpenning in de vorm van een halve maan
  • Mare — 'Langs de Leidse halve maantjes'

de halve maantjes

On every one of the small towers of that facade sits a cast-iron crescent. The shape is that of the Turkish flag, and here it served as a sign of resistance against the Spanish. Leiden's town hall therefore carries an Islamic symbol, put there by a Protestant city at war with a Catholic empire.

Sources · 3
  • Historische Vereniging Oud Leiden — 'Halve maantjes op het stadhuis'
  • Mare — 'Langs de Leidse halve maantjes'
  • Cor Smit — boekje over de historische banden tussen Leiden en Turkije, voor Stichting Güney

de drie figuren

In the pediment stand three figures by the Flemish sculptor Pieter Xavery (1647 — after 1674), from left to right: Neptune, god of the sea; an Easterner in a turban, described as an Ottoman merchant and sometimes identified as Barbaros Hayreddin Pasha; and Mercury, god of commerce. Together they say one sentence: trade with the Orient, by sea. The man in the middle is the trading partner, standing between the sea and the profit.

Sources · 3
  • Leiden In Motion: De Diversity Walk — Stichting Güney / Turksarchief.nl
  • Rijksmonumenten.nl — beschrijving van het fronton (Pieter Xavery, ca. 1673)
  • Pieter Xavery — Vlaams barokbeeldhouwer, werkzaam in de Republiek

Shares its places with · 6

Painted with an image model from the facts on this page, and chosen by hand. City in Motion.

I'd love to know that someone came by — as a number, never a name. May I count your visit? And if an ad brought you here, may I tell that ad it worked?